- Pocket camera retro electronic video finder how to#
- Pocket camera retro electronic video finder professional#
It's something which has a stranglehold on the photo-aesthetic world right now. I feel like people look like they’re glowing when they’re surrounded by CA.Īnother thing is, well, I basically have a grudge against shallow depth of field and bokeh. A lot of people hate this, but I think it’s gorgeous. Obviously, this is something that’s been around as long as glass has, but because of the of the tiny sensors and lenses, CA really stands out. This is by no means specific to CCD sensors, but one thing that really stood out to me was chromatic aberration. What else do you consider to be part of the vintage digicam look? You mentioned that you appreciate the limited dynamic range and blown highlights that come with these older digicams, specifically ones with CCD sensors. I think a lot of photographers find freedom when they shoot film, but I found it here instead.Ī portrait of Kitty Blume. The G2 ended up coming with me everywhere I went. With this gallery, I did street photography, still life and portraits and kind of let loose, departing from the more restrained work I had to do in my commercial photography studies. So I started taking photos and made a Tumblr album called Summer of G2 to host it. I think a lot of photographers find freedom when they shoot film, but I found it here instead. The Canon G2 ended up coming with me everywhere I went. When I saw it, I said to myself, 'That’s the one.' The body also has a classic look to it, something ineffably iconic of its era.
I also picked it out because its maximum aperture is F2.0.
It turned out that Raw was very uncommon for cameras at the time apart from pretty much Canon cameras. The camera I ended up settling on was the Canon PowerShot G2. So what was the first camera you settled on? I made a list of qualities I looked for: cameras with CCD sensors that shot Raw and, initially, were released around 2001. That really interested me, so I started spending hours poring over DPReview looking for cameras. They stood out in a way apart from modern digital files: The dynamic range is narrower and the shadows have a character that looks different from those of modern CMOS cameras. So I asked myself, 'What will be the thing people look back to next, after film?' I started digging through Flickr archives of photos taken on older point and shoot digital cameras, or 'digicams' as some people called them, and felt there was something different about them.
Pocket camera retro electronic video finder how to#
There were definitely a lot of talks in class about photographs looking too 'digital' as well as instructions on how to add more of an 'organic, analog' feel to your images.Īt the time, I observed to myself that the re-emergent fascination with film was probably ephemeral, specific to the current zeitgeist and highly rooted in nostalgia. There were definitely a lot of talks in class about photographs looking 'too digital' as well as instructions on how to add more of an 'organic, analog' feel to your images. I was in a commercial photography trade school and watched many of my peers either straight up shooting film or trying to recreate the aesthetics of film in editing. At the time, the analog revival was really taking off. I first got into older point and shoots back in 2014. Tell me a little bit about your interest in these cameras. I know you spend a lot of time shooting with digital cameras from the early and mid- 2000’s. This image, of the band Pleather, was shot on a Fujifilm FinePix E900. Sofi shoots a lot of portrait work for publication in the Pacific Northwest. My Seattle clients include Seattle Weekly, The Stranger, City Arts and the Weekly Volcano in Tacoma. I do photography and animated GIFs, mostly for journalistic purposes.
Pocket camera retro electronic video finder professional#
Tell me about your professional work as a photographer. Lee only graduated college two years ago, but in that short time has amassed quite a few clients in the Pacific Northwest by shooting beautiful images that, yes, feature blown highlights, chromatic aberration, rudimentary noise reduction, coma and more. And it's the limitations of these cameras that help to set Sofi's professional work apart from the crowd. Film nostalgia in photography might be all the rage today – it seems a lot of people are hungry for that 'organic, analog look' – but for Seattle photographer Sofi Lee, nostalgia for vintage digital compacts is a lot more fun.
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